http://radio.weblogs.com/0100887/categories/intellectualProperty/ Copyright 2002 Jon Udell Fri, 26 Jul 2002 22:49:25 GMT http://backend.userland.com/rss092 7/26/2002; 4:45:37 PM http://radio.weblogs.com/0100887/categories/intellectualProperty/2002/07/26.html#a355 <FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>One of the responses to today's DaveNet, </FONT><A href="http://davenet.userland.com/2002/07/26/hollywoodWantsTheRightToHackYourComputer"><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>Hollywood wants the right to hack your computer</FONT></A><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>, comes from Digital Identity World's Eric Norlin, who </FONT><A href="http://scriptingnews.userland.com/backissues/2002/07/26#When:11:13:42AM"><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>says</FONT></A><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>: "Palladium can prevent the Bill that this DaveNet is disgusted with...", and continues: </FONT> <b>...</b> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>One of the responses to today's DaveNet, </FONT><A href="http://davenet.userland.com/2002/07/26/hollywoodWantsTheRightToHackYourComputer"><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>Hollywood wants the right to hack your computer</FONT></A><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>, comes from Digital Identity World's Eric Norlin, who </FONT><A href="http://scriptingnews.userland.com/backissues/2002/07/26#When:11:13:42AM"><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>says</FONT></A><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>: "Palladium can prevent the Bill that this DaveNet is disgusted with...", and continues: </FONT></P> <BLOCKQUOTE><I> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>Allow me to make some assumptions about DRM (and if these are totally invalid, feel free to argue): </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>1. The Entertainment industry is *going* to find some way to charge for their wares. (this may not be the way they want, but it will be some way -- i.e., music, books and movies are not suddenly going to become free) </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>2. Technology will play a role in the above way. </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>3. If it is simply a malicious tricking of the marketplace, it will not work. </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>4. DRM is not simply about file-swapping. It is also about individuals regaining the power of a negotiated agreement about who can contact them and under what circumstances. </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>If these assumptions are accepted, then I'd submit that it is our RESPONSIBILITY to be in a conversation with the technology companies that are building DRM systems. [</FONT><A href="http://www.unchartedshores.com/blogger/archive/2002_07_21_archive3.html#85286083"><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>Eric Norlin's Weblog</FONT></A><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>] </FONT></P></I></BLOCKQUOTE> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>I'm with you as far as point #3, Eric. But I see nothing in DRM generally, or Palladium in particular, that deals either with negotiated agreement or privacy. There are, as Lawrence Lessig keeps saying, four forces in play: architecture, law, markets, and social norms. The Palladium architecture can't be discussed in isolation. It can work in conjunction with these other forces, but cannot and will not stand alone. In the realm of intellectual property, our system has always been a dynamic and precarious balance of conflicting forces. The loss of control that Hollywood fears is no less worrisome than the excess of control that Lessig foresees. </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>Laws are never fully enforceable; that doesn't make them toothless. Markets don't work perfectly either, but they do function. Social norms are the wildcard. If a reasonable amount of respect for the value of intellectual property ceases to be a social norm, then the system's out of whack -- and will over-correct. That's just what we see happening now. In response to perceived anarchy, this proposed Congressional bill strikes back with reverse anarchy. This kind of arms race can only further erode our social norms. </FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>The Internet will inevitably become more regulated than it is today. Increasingly, users will have to identify themselves in ways that make them accountable for their actions. This is the kind of thing you'd expect a government to push for. Perhaps we're lucky that the government instead seems to want to mud-wrestle with teenagers. It will fail, and lose face doing so. Maybe while that's going on, though, the Internet can get its own act together. It has always been a remarkably self-governing institution. Can the Internet itself find an intelligent and balanced solution to Hollywood's problem? I'd like to think it can, but if so, talking to companies building DRM systems is only a small part of the conversation we need to be having.</FONT></P> <P><FONT face=Verdana,Geneva,Arial,Helvetica,Sans-Serif size=2>PS:&nbsp;Hey,&nbsp;<A href="http://www.google.com/search?q=%22reverse+anarchy%22">"reverse anarchy"</A>&nbsp;is a Googlewhack. Not for long, though.</FONT></P> <P><FONT size=2>PPS: Hmm. Now <A href="http://www.google.com/search?q=%22reverse+anarchy%22">"reverse anarchy"</A> isn't working through Googlebox, though oddly it still returns one result direct from Google -- does the API hit a different index?&nbsp;I've switched the Googlebox&nbsp;to <A href="http://www.google.com/search?q=reverse+anarchy">reverse anarchy</A>.&nbsp;</FONT></P> <P><FONT size=2></FONT>&nbsp;</P> 3/10/2002; 11:22:13 PM http://radio.weblogs.com/0100887/categories/intellectualProperty/2002/03/10.html#a125 <STRONG>Creative Commons</STRONG> <b>...</b> <P><STRONG>Creative Commons</STRONG></P> <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px"> <P><EM>If, in fact, limited monopolies do not work, than how do we nurture our Farnsworths and Teslas?</EM></P></BLOCKQUOTE> <P dir=ltr>There is, by the way, <A href="http://conferences.oreillynet.com/cs/et2002/view/e_sess/2376">an</A> <A href="http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL">effort</A>-- inspired by Lawrence Lessig -- to address this issue. I gather it aims to empower creators of intellectual property to directly control its disposition, vis-a-vis the commons, and to reduce the transaction costs&nbsp;of flexible licensing. </P> 3/10/2002; 8:19:53 PM http://radio.weblogs.com/0100887/categories/intellectualProperty/2002/03/10.html#a124 <STRONG>Limited monopoly and the solo inventor</STRONG> <b>...</b> <P><STRONG>Limited monopoly and the solo inventor</STRONG></P> <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px"> <P><EM><FONT face="Courier New">The case against intellectual property is not that wealth is less important that freedom. It is that it is not possible to grant limited monopolies, and hence the government should not be in the business of granting unlimited ones.<BR><BR>Why isn't it possible to grant limited monopolies? Because they create wealth that is used to lobby the government for less-limited monopolies, which creates more wealth, which is used to lobby the government for even less limited monopolies. This is the story of IP in the US: every term extension has led to another term extension....</FONT></EM><EM><FONT face="Courier New">The key problem is that intellectual property corrupts. </FONT></EM><A href="http://groups.yahoo.com/group/decentralization/message/5381">Lucas Gonze</A>. Re: Truth from the highest hits [<A href="http://groups.yahoo.com/group/decentralization">decentralization</A>]</P></BLOCKQUOTE> <P dir=ltr>Failure to defend intellectual property has ruined some of our greated inventive geniuses. The April issue of Wired has a story on <A href="http://www.time.com/time/time100/scientist/profile/farnsworth.html">Philo Farnsworth</A>, who invented television but died broke. Margaret Cheney's <A href="http://www.amazon.com/exec/obidos/ASIN/0743215362/">Tesla: Man out of Time</A> tells an even more heartrending tale. So desperate was Tesla to see his alternating current system brought to life, in the face of stiff competition from Edison's direct current, that he sold his rights to the technology to Westinghouse for a pittance. Tesla also died broke. More to the point, both men's creative energies were mercilessly sapped by their failure to defend their IP, and to&nbsp;translate it into even a fraction of the vast wealth their inventions produced. In both cases, society was thus deprived of follow-on invention, and follow-on wealth.</P> <P dir=ltr>Neverthess, Lucas makes a compelling argument. If, in fact, limited monopolies do not work, than how do we nurture our Farnsworths and Teslas?</P> decentralization 3/7/2002; 10:03:02 AM http://radio.weblogs.com/0100887/categories/intellectualProperty/2002/03/07.html#a114 <STRONG>Trading RSS channels like baseball cards</STRONG> <b>...</b> <P><STRONG>Trading RSS channels like baseball cards</STRONG></P> <P>Jenny sorted out the problem with <A href="http://www.theshiftedlibrarian.com/">her RSS display</A>. She hadn't upgraded Radio.exe. Now, she's got it working. Excellent! Let the trading commence!</P> <P>Actually, I guess baseball cards are the wrong metaphor. This kind of trading is, as they say in intellectual property circles, <EM>nonrivalrous</EM>.</P>