And finally (as I am not seeming to fix my attention on my preparations for a lecture on the history of radio technology: whenever I come across the name "Fessenden" my attention snaps elsewhere) a digest of Biennial talk from Joy Garnett's Newsgrist:
MATTHEW MIRAPAUL (NYTimes):
"...the Internet's collective unconscious made visible."
"...Ms. [Christiane] Paul has opted for talk radio."
WALTER ROBINSON (Artnet Magazine):
"This is not funny!"
"The show is not completely devoid of painting."
"There's more to say, but as usual no time to say it."
HOLLAND COTTER (NYTimes):
"Spiritual America, From Ecstatic to Transcendent."
"...half the work is of lingering interest..."
"(Lots of white boys this year.)"
"These are the makings of a good show, which this biennial is."
"you can ask only so much of it."
"...the thrill of discovery (a little of that here)."
"...a few artists stay in the mind after you're back out on the
street..."
SARAH DOUGLAS (The Art Newspaper):
"... it is more difficult than ever to confine the chosen works to any
one definition."
"There is a decidedly youthful angle to this biennial..."
"This biennial will likely be criticized for excessive inclusiveness,
but its willingness to take risks is refreshing. "
DOUGLAS KELLEY (Douglas Kelley Show):
"The Whitney may have more similarity to an open air Philippine
trash dump on fire than the Louvre, but I found things to like
anyway."
"All day I have been called to task for trying to be nice about it."
9:34:48 PM
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