|
|
|||||
|
|
|||||
|
|
DRM and Accessibility - Compensation model How to provide in compensation model Or DRM and Accessibility 11:00 am May 18, 2004 Janina Sajka (American Foundation for the Blind) Richard Shatzberg (Aequus Technologies) Pearce McNulty (Houghton Mifflin)
Janina Sajka AFB If we get this right, we’ll get to a different kind of publishing than we have known before. The days of the scriptorium are long over. The printing press in the last millennium made mass communications, mass reading, mass learning available. Now the digital environment makes mass copying very possible. Here are some good principles to tell if we are on the right path… Files are always going to be copyable. There has yet to be a file format that hasn’t been broken into. To make technology what it isn’t is a mistake – round one of preserving the publishing business as it was. We are in the very early stages of what electronic publishing is and will probably look a lot different than simply electronic copy of a print book. When we do get the technology right – it changes lives. If you are disable looking at spending rest of your life – then you look at the technology, looking at a book with a bunch of 0’s and 1’s organized creative then you feel that should be made available. What we discovered in last 20 years – making the tech do things most of the world was not doing with it – it makes it possible for people to read, write, print, send an email. Illustrates why first round of DRM we butted heads and didn’t get it right. You don’t need to lose your shirt publishing and we don’t need to lose access. But, we need to change how we approach. This is an appeal not to technology but to common sense as to how we employ technology. Before we worry about locking product up – let’s make it worth locking up – worth having. Make it worth honest people paying for it. Accessibility is not about technology its about what the human being using the technology is able to do. A voice works for blind – not for the non-blind Scrolling works if vertical scrolling – forget that horizontal stuff. In short, let me tell the tech how I need the information presented – you worry about the content. WWW and 508 is a good example of how this works. [note to self: Fair use has not been mentioned once thus far] With access to XML, labels to content, then we can do what we need. No one would scan (they scan now because they are desperate).. What is the future like? Some principles to think about
i. Look at open source method ii. Takes you out of accessibility/security business – you are publishers not security people
i. You aren’t gonna pay $70,000 for access to the API
i. That’s how tomorrow’s technology starts
We can make the e-environment as accessible as the built environment. Those ramps in the curbs and buildings weren’t built for baby carriages but they sure are useful today for that purpose. [Adobe a no-show today] Nina – in order to add the things to Adobe to support access – you have to add things to it. Adobe was invented to print reliably to a printer. Everything else is figuring after the fact how to do it right. PDF is hard to re-purpose. Richard We develop technologies to provide access to those with disabilities first - -the way we do that offers feature functionality that aid all others (ESL, senior citizens). We believe this is good for all kids [wonder if anyone thinks in terms of knowledge cost vs manufacturing cost?] I believe free is bad – it leads to mediocre outcomes. Best outcome is if you the publishers convert content into accessible format – lock into player and you distribute through your business models. Dr. Robert Smith Challenges between DRM and e-books Actually it is an opportunity –
Richard CAST e-reader Demonstrates product Seeing and hearing content simultaneously improves data retention. [Do publishers think anything done to, or to compliment, their content is a ‘derivative work?’ What are examples of unlicensed derivative works?] By tying CD content to web content – you can control the concept of time and space (move the location and that would invalidate the CD). [Wonder what publishers are examining for DRM tools?] CAST also has sign language interpretation (neat!) [imagine using this tool for online news] The same visual character can be used as an online mentor. Same character being used to train troops in middle east for interaction with locals. Is this patented? Yes So no one else can create anything like this but you? You have a problem with that? [heh heh] There are a variety of people developing players. You pick the players and lock it. Nina: There are also non-proprietary ways to synchronize the different presentations of content. A lot of this uses SMIL (W3C protocol) to ty this together… Robert Smith: This content was daisy content… the underlying content can be rendered by another player. Liz: How would Pearson use something like that. Say we got 7,000 copies of a mathbook going to a college. How does CAST come into that and what does it cost? Do we sell that with every one of those books? Richard: We convert your content, lock it with player, hand master copy back to you. Pricing is volume based. Working on per book fee, eliminating hurdle of entry – per book fee is considerable less than $100 (did not come here to sell)… Nina: You have a different model in e-text – not limited to copies, could put bits and pieces of the text on servers… [hmm… dis-aggregation of text books] |